PDF Ebook Design Process: A Primer for Architectural and Interior Design (Architecture)By Sam F. Miller

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Design Process: A Primer for Architectural and Interior Design (Architecture)By Sam F. Miller

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Design Process A Primer for Architectural and Inerior Designers Sam F. Miller, AIA First, you’ll learn how to look at building components and materials inside and out, evaluating: structural materials; heating, electrical, and plumbing systems; aesthetics and light; the site; movement of people and traffic; and ecological considerations. Then, you’ll learn why research is important and why you need to be familiar with particular building types—hospitals, museums, manufacturing facilities, airports, libraries, office buildings, and mixed-use structures—before you even think about designing. And you’ll take a look at building codes and local zoning ordinances. After a thorough grounding in the physical, you’ll meet that all-important client and learn how to find out what they really want as you develop a list of goals, problems to be solved, and design requirements. You’ll learn how to brainstorm with the client and discover why it’s important to involve the client in the design process from beginning to end. Next, you’ll learn how to give shape to your ideas as you explore sketching and techniques for model building; then you’ll refine your design, building on the synergism of sketching and modeling. You’ll even learn how to surmount those inevitable dead ends with tried-and-true techniques from the pros. Finally, you’ll learn how to package the results of your labors in a professional presentation as Miller discusses the merits and drawbacks of various presentation methods. Plus, the author includes candid interviews with some of the field’s most respected designers: R. Scott Johnson, Bart Prince, and Steve Badanes, among others, to give you the perspectives of working professionals at different levels. Whether you’re a novice in the classroom or an old hand with a celebrated clientele, you’ll get a fresh look at the elusive design process in this real-world primer.

• Sales Rank: #4842642 in Books
• Published on: 1995-03-29
• Original language: English
• Number of items: 1
• Dimensions: 8.27" h x .47" w x 10.85" l, .0 pounds
• Binding: Paperback
• 240 pages

From Library Journal
This work on architectural design and creativity targets both students and practitioners, clearly, albeit pedantically, articulating each phase of the design process. The first part introduces basic concepts and objective components of the design process. The next part deals with the subjective visualization inherent in sketching, modeling, and reworking. Potentially the most interesting, the third part consists of interviews with eight U.S. architects, including Steve Badanes, R. Scott Johnson, and Bart Prince. Unfortunately, the interviews, while far-ranging, tend to meander. Three hundred sketches and illustrations reinforce the book's practical, how-to orientation. A satisfactory but not essential choice for college and architecture and design libraries.
Russell T. Clement, Univ. of Tennessee, Knoxville
Copyright 1995 Reed Business Information, Inc.

From the Back Cover
Design Process A Primer for Architectural and Inerior Designers Sam F. Miller, AIA First, you’ll learn how to look at building components and materials inside and out, evaluating: structural materials; heating, electrical, and plumbing systems; aesthetics and light; the site; movement of people and traffic; and ecological considerations. Then, you’ll learn why research is important and why you need to be familiar with particular building types—hospitals, museums, manufacturing facilities, airports, libraries, office buildings, and mixed-use structures—before you even think about designing. And you’ll take a look at building codes and local zoning ordinances. After a thorough grounding in the physical, you’ll meet that all-important client and learn how to find out what they really want as you develop a list of goals, problems to be solved, and design requirements. You’ll learn how to brainstorm with the client and discover why it’s important to involve the client in the design process from beginning to end. Next, you’ll learn how to give shape to your ideas as you explore sketching and techniques for model building; then you’ll refine your design, building on the synergism of sketching and modeling. You’ll even learn how to surmount those inevitable dead ends with tried-and-true techniques from the pros. Finally, you’ll learn how to package the results of your labors in a professional presentation as Miller discusses the merits and drawbacks of various presentation methods. Plus, the author includes candid interviews with some of the field’s most respected designers: R. Scott Johnson, Bart Prince, and Steve Badanes, among others, to give you the perspectives of working professionals at different levels. Whether you’re a novice in the classroom or an old hand with a celebrated clientele, you’ll get a fresh look at the elusive design process in this real-world primer.

About the Author
About the Author Sam F. Miller, AIA, is currently a practicing architect and project manager at CSO Architects, Inc., in Indianapolis. He is active in the American Institute of Architects Committee on the Environment (COTE) and has written a report on ## COTE’s Environmental Resource##

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• Published on: 2014-10-11
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Ebook Free Unchopping a TreeBy W. S. Merwin

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There’s no mystery to chopping down a tree. But how do you put back together a tree that’s been felled? Mystical instructions are required, and that’s what W. S. Merwin provides in his prose piece “Unchopping a Tree,” appearing for the first time in a self-contained volume. Written with a poet’s grace, an ecologist’s insights, and a Buddhist’s reverence for life, this elegant work describes the difficult, sacred job of reconstructing a tree. Step by step, page by page, with Merwin’s humble authority, secrets are revealed, and the destroyed tree rises from the forest floor. Unchopping a Tree opens with simplicity and grace: “Start with the leaves, the small twigs, and the nest that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places.” W. S. Merwin, like many conservationists, is quick to say: “When we destroy the so-called natural world around us we’re simply destroying ourselves. And I think it’s irreversible.” Thus the tree takes on a scale that begs the reader’s compassion, and one tree is a parable for the restoration of all nature.

• Sales Rank: #906913 in Books
• Published on: 2014-02-25
• Original language: English
• Number of items: 1
• Dimensions: 7.10" h x .40" w x 7.20" l, .45 pounds
• Binding: Hardcover
• 48 pages

Review
"W. S. Merwin, the Pulitzer-winning former U.S. poet laureate, captures the essence of treeness in the delightful and insightful Unchopping a Tree... Lyrical drawings of the cellular structure of a tree by Liz Ward complement and enhance the humble beauty of Merwin's descriptions."—Shelf Awareness

"Suppose you chopped down a tree and then regretted it because, after all, a tree is a beautiful thing in nature. What to do? Firewood? Board feet? Or, you might consider unchopping it by following the instructions of W. S. Merwin, a man of proven ecological insight and robust poetic tendencies, to put it back together, leaf by leaf, limb by limb, splinter by splinter."—ForeWord Magazine

"Merwin is a dedicated environmentalist who has created a preserve for palm species near Haiku, and in his sparse prose he uses the image of raising a fallen tree as a device to explore themes of renewal and preservation."—Honolulu Star-Advertiser

"Part prose poem, part ecology lesson and part Zen instruction manual, Unchopping a Tree shares a mystical blueprint for healing the planet—the intricate, often invisible web of biological life—that our species so casually destroys. The book is made even more unique by artist Liz Ward’s contribution of 11 delicate drawings depicting the cellular life of trees."—Cascadia Weekly

"This collection of pristine prose poems and delicately rendered art is surely a reminder that perhaps our wanton destruction of the planet can be reversed."—Rain Taxi

About the Author
W. S. Merwin, poet, translator, and environmental activist, is one of the most widely read--and imitated--poets in America. The son of a Presbyterian minister, whom he began writing hymns for at the age of five, Merwin went to Europe as a young man and developed a love of languages that led to work as a literary translator. Over the years his poetic voice has moved from the more formal and medieval--influenced somewhat by Robert Graves and the medieval
poetry he was then translating--to a more distinctly American voice, following his two years in Boston where he got to know Robert Lowell, Sylvia Plath, Ted Hughes, Adrienne Rich, and Donald Hall, all of whom were breaking out of the rhetoric of the 1950s. Merwin’s recent poetry is perhaps his most personal, arising from his deeply held beliefs. He is not only profoundly anti-imperialist, pacifist, and environmentalist but also possessed by an intimate feeling for landscape and language and the ways land and language interflow. His latest poems are densely imagistic and full of an intimate awareness of the natural world.

His first book, A Mask for Janus, was chosen by W. H. Auden in 1952 for the Yale Younger Poets Prize. The Carrier of Ladders received the 1970 Pulitzer Prize. Among his other books of poems are The Drunk in the Furnace, The Moving Target, The Lice, Flower & Hand, The Compass Flower, Feathers from the Hill, Opening the Hand, The Rain in the Trees, Travels, The Vixen, The Lost Upland, Unframed Originals, The Folding Cliffs, The River Sound, The Pupil, a translation of Dante’s Purgatorio the critically lauded translation of Sir Gawain and the Green Knight, as well as Present Company, which won the Rebekah Johnson Bobbitt National Prize for Poetry, Migration: Selected Poems 1951-2001, which won the National Book Award, and The Shadow of Sirius, which received the Pulitzer Prize (Merwin's second). A two-volume set, The Collected Poems of W. S. Merwin, was published in May 2013. Merwin's prose includes The Mays of Ventadorn, part of the National Geographic Directions series, The Ends of the Earth (essays), and the memoir Summer Doorways. Recent reissues of his books are The First Four Books of Poems, Spanish Ballads, translations of Jean Follain’s poetry collection Transparence of the World and Antonio Porchia’s Voices, and The Book of Fables, a reissue of (The Miner’s Pale Children and Houses and Travelers). Forthcoming are the poetry collection Before Morning (Copper Canyon, April 2014) and a booklength essay, Unchopping a Tree (Trinity University Press, March 2014).

Merwin was named poetry consultant to the Library of Congress in 1999, along with poets Rita Dove and Louise Glück. He has been honored as laureate of the Struga Poetry Evenings Festival in Macedonia and as recipient of the international Golden Wreath Award, the 2004 Lannan Lifetime Achievement Award, the Pulitzer Prize (twice), the National Book Award, the Tanning Prize, the Bollingen Prize, the Ruth Lilly Poetry Prize, and the first Zbigniew Herbert International Literary Award, in 2013. He was appointed U.S. poet laureate in 2010.

Merwin has spent the last thirty years planting nineteen acres with over 800 species of palm, creating a sustainable forest; the property recently became the Merwin Conservancy (http://www.merwinconservancy.org). He lives, writes, and gardens on the island of Maui, in Hawai‘i.

Liz Ward is a professor of art and art history at Trinity University in San Antonio, Texas, and an artist who works primarily in painting and drawing with an emphasis on works on paper. She received her M.F.A. in painting from the University of Houston and her B.F.A. in printmaking from the University of New Mexico. The art included in W. S. Merwin's Unchopping a Tree is from her series "The Cellular Life of a Tree." She lives in Castroville, Texas.

Excerpt. © Reprinted by permission. All rights reserved.
Start with the leaves, the small twigs, and the nest that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated.

If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stage without having to use machinery.

Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men’s work.

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Product details

File Size: 1761 KB

Print Length: 634 pages

Simultaneous Device Usage: Unlimited

Publisher: O'Reilly Media; 1 edition (December 16, 2005)

Publication Date: February 9, 2009

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0026OR3KI

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I was tasked with deliverying 6 key-performance-indicator (KPI) using SQL and Crystal Reports and an Oracle database. And for three disparate areas in the world (USA, Singapore, and The Netherlands).Sure, I could write a 'SELECT' statement or perform and 'UPDATE'.But, I did not know how to approach SQL as being a 'complete' solution for record selection.The Crystal Reports portion was not too much trouble.I was using the PL/SQL environment for creating the SQL. Oracle 10g.Mr. Molinaro's book was instrumental in having me develop what turned out to be some rather complex SQL.It took awhile to get to use SQL's window functions. But, the author's presentation/explanation made them more than approachable---and quite useful.I liked the explanations that covered the multiple vendors' database engines.I will make no pretense of having reached SQL knowledge 'nirvana'--However, there was more than one time where I was out of ideas on how to get/count certain data----The SQL Cookbook did its job by showinge 'yet another way' to approach a pressing problem with a solution.And one can gain a deep understanding of how SQL works. Always a plus for anyone that is new to an environment.If there was something like a SQL University, this book seems to be text that would work very well for giving students more than enough 'footing' to face the 'real' world. It did for me.I am more than pleased to have this book as part of my SQL 'library.'

I only dip into SQL every now and again, when I have to pull data for statistical analysis, so I might not be the best judge of the book. That being said, it looks like it has a lot of good code samples and other content. If you are an SQL coder, there is likely stuff there that will save you time and trouble.

When you work with SQL infrequently, as I do, but do things beyond the trivial, this book is an excellent way to dive right back into complex query tasks. This has been an invaluable reference that sits on my desk and gets pulled down when I need a guide to accomplish a task. It serves as a way to find a basic approach to the problem at hand and then I can adapt and perhaps combine one or more recipes to do the job. The time saved and effective solutions developed have proved this to be a valuable resource over and over again.I am not sure how effective this book would be for someone who works on intermediate or advanced queries on a frequent basis. The recipes run the gamut from simple to complicated. However, for someone who needs to dive back in the queries once a month or so, it is a great reference to have on hand. The database-agnostic approach has also benefited me as I moved from an Oracle shop, to an outdated SQL Server shop, to a modern SQL Server shop.

I am writing this review now, because a trick I learned from this book helped me reduce the execution time of an oracle 10g query from 37s to 1s. Yes, Oracle has these idiosyncrasies that can drive one nuts.I find myself visiting the solutions in the book over and over, especially when it comes to hierarchical queries or the queries that generate consecutive numeric values (I use these to generate sample data).I recommended the book to all my colleagues that do sql programming, and I am waiting for the second edition ;-)

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